everyday is halloween: the stanford mansion 'the curse of the gold miner's necklace'
poetry/antipoetry & exploitation movies
i've been on a kate bush jag the last couple of days. i swear this woman's music shreds me. pure fucking genius. but for this song, i think, goes well with the spooky season. bush sings from the perspective of catherine earnshaw's ghost plaintive cry to her beloved heathcliff at the window wanting to be let back into her home. gothic fiction at its finest. & when bush gets to the chorus, holyfuckingshit, a sudden irrigation of the eyes. this is art at its most human in its yearning, desire, & ecstatic pain. when bush sings in cathy's voice, 'heathcliff, it's me, i'm cathy' goddamn art doesn't get finer. & again, cathy is a ghost. who still bone aches for her lover. spooky as fuck. & beautiful.
boo!
veteran exploitation filmmaker larry cohen penned & directed this satire on american consumer culture & cutthroat capitalism. lensed as a tonge-in-cheek but with more than a little bit of blood i remember watching this flick on cable TV back in the day & really digging its tone. the last time i saw this movie was when i was dating anna. we were hanging out in her bedroom watching TV. i was working part-time as the quasi-manager/grunt at the university recycling center & it had been a rather exhausting day at work. one of the local radio DJs hosted a weekly horror movie show & this pic was the feature for the night.
i remember anna not really digging it. she's not a fan of horror movies. but i freaking loved it. it is funny & loaded with bit parts & cameos from abe vigoda & clara peller [who? she was quite well-known for the 'where's the beef' series of TV commercials for the fast-food chain Wendy's], paul sorvino, garrett morris, patrick o'neal & danny aiello, among others. cohen really must've called in the favors! shot in the neon colors of the 1980s the visual flair of this movie reminds the viewer that the 1980s sure loved neon, day glo & pastels.
but what is the stuff? it's some goo burbling from the ground that tastes like yoghurt or ice cream. soon the mining company that discovered it has marketed it all over the country as a dessert. but this shit ain't your typical sweet treat. it is addictive beyond measure. & it has a mind of its own. the stuff can move blob-like. its heavy users eat nothing but the stuff & become homicidal maniacs. the stuff on its own is a murderous psycho that will kill anyone or anything that prevents it from world domination.
enter david 'mo' rutherford, played by the always solid michael moriarty. mo is an industrial saboteur hired by rival companies to find out what the stuff is made of & destroy its company. however, mo finds out the nefarious nature of the stuff & works for the rest of the screentime to help break america's addiction to the sweet dessert & breaking the company that sells it. mo is aided by a teen, jason, played by scott bloom, who saw the stuff move on its own volition & watched his family succumb to their addiction to the sweet treat, & nicole kendall, played by andrea marcovicci, an ad exec who was instrumental in selling the stuff to u.s. consumers.
but if you want a deep dive into a critical document of american consumerism you've come to the right place. for larry cohen has created a black comedy of capitalism. you'd think mo rutherford would be the bad guy because he is a professional industrial saboteur. you'd think nicole would be the bad guy because her work in advertising helped the stuff sell like hot cakes. instead cohen subverts their roles & makes these two superheroes of a kind. freedom is to choose what products we use & consume. but freedom, i think according to larry cohen's script, is to reject those products that are marketed to us. even more so, freedom is to critique our very culture that has created 20th C & 21st C marketing that deliberately targets you so, in a real but paradoxical manner, you are given no choice to choose.
but then my beloved genre of horror has always been the bastard child of culture where it can shout out the terrors & injustices of our human being. i've always liked the actor michael moriarty. he possesses a wit & gravitas that nearly always elevates his stories. one of my favorite episodes of masters of horror anthology series [2005 - 2007] is the story of two competing serial killers, pick me up (season 1, episode 11), also directed by larry cohen, from a story by splatterpunk maestro david j. schow, features moriarty as a truck driving, high living, candy eating, chain smoking serial killer, called wheeler. the dude is a force of goddamn nature.
but this is larry cohen's movie. his skills & talents as a horror/exploitation auteur are abundantly evident in this flick. there are some laugh aloud moments. & a few times of sheer terror. for that is horror in a nutshell. it can make you laugh just after you are so scared you cry for momma!
boo!
a little over a month ago i was taking a walk thru my beloved midtown/downtown when anna texted me a short insta of the above cassette of halloween horror sounds. our good friend c. asked anna to send it to me because c. & i both love halloween & horror in all its popular forms. & i love this shit! last time i visited a Spirit Halloween store, you know those pop-ups in vacant retail spaces that transform into department stores of the spooky kind, i learned that it no long sold halloween horror soundtracks. i have purchased a number of cds over the years by artists like midnight syndicate et al. i never had this particular cassette tape but thank gawd the internet never forgets. for this is an obscure recording published only on cassette tape. i thank both c. & anna for sending it my way on that hot late summer Sac night. for i do love these sounds even as cheesy as it comes!
boo!
i can't remember if i've written about this flick. i own a dvd copy of it & my disc must be somewhere around 20 years old. but what the hell, or should i say, like a demon from hell! this is a fucking blast of a movie. directed by lamberto bava (yes, the son of the great italian maestro mario bava), co-written & produced by another great italian filmmaker, dario argento, penned by dardano sacchetti & argento & bava, with a sountrack by the metal bands, plus billy idol, of the mid-80s, like motley crue, accept & saxon, & a killer synth score by claudio simonetti, of the prog band goblin. thiis a gooey slice of italian horror at its most sublime.
the plot goes like this. a uni student, cheryl, played by natasha hovey, is kinda stalked, in that cheesy horror movie oh-shit-something-gonna-get-me-way, by a masked goth dude dressed all in black. when goth dude catches up to cheryl he hands her a free ticket to see the premier of a movie at the Metropol in berlin. relieved that goth dude doesn't get all stabby cheryl asks for a second ticket to bring her friend to the theater.
now, it doesn't take long in the movie's runtime when it gets stabby. cheryl & friend meet a couple of young goofballs who take a liking to the young women in the theater lobby. not in a creepy sort of way. just that awkward, i'd like to get to know you better way. they take their seats to watch the show. & what a movie! two young couples are in a cemetery. they find nostradumus' grave, plus a book & a mask. the mask is eerily similar to one hanging off the handlebars of a dirtbike used as a prop for the movie in the lobby. in the movie one of the doofuses reads from the book cuz it's in latin & we all know everyone can read latin. while another doofus puts on the mask. & cuts his face.
now, this is where it all goes south. because another woman in the lobby of the movie theater had also tried on the prop mask & received a cut on her face. oh no! both screen doofus, & lobby chick, turn into murderous demons! fuck! soon the actions on the screen mirror the horror in the theater.
& this is when the movie gets fun. for bava & co. throw out any sort of logic with their story & concentrates the movie to a series of very gooey set pieces. & these set pieces are superb! the rest of the movie concerns the characters trying to survive death by demon. oh shit. let me cut to the end here. for there are a couple of survivors. but when they get out of the movie theater they find the whole world has gone mad, & stabby. that's what makes this a fun flick. you have a killer synth score. a metal soundtrack. spectacular kills. sympathetic characters. & a balls to the wall devil may care just fucking do it attitude. in short, this movie is halloween fun!
boo!