this song is for anna
poetry/antipoetry & exploitation movies
when the late astronaut michael collins [1930-2021] , orbiting the moon in the command module Columbia in 1969, while fellow astronauts neil armstrong & buzz aldrin were the very first humans to step on to the moon, the very first persons to leave footprints on an alien landscape, took a picture of the earth & the lunar module Eagle as it made its descent, he took a photo of the whole of humanity, every single human being alive at that time, except for himself
re freedom
rene char said, 'the poet burst the bonds of what he touches. he does not teach the end of bonds'
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& dylan thomas said, 'time held me green & dying/tho i sang in my chains like the sea'
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& janis said, 'freedom's just another word for nothing left to lose'
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while brendan behan said, i respect kindness in human beings first of all, and kindness to animals. i don't respect the law; i have a total irreverence for anything connected with society except that which makes the roads safer, the beer stronger, the food cheaper and the old men and old women warmer in the winter and happier in the summer.
i watched an interview with NYC poet john godfrey who detailed his writing practices over the many years of his being a poet. because of his demanding job as an AIDS pediatric nurse he would chip away at a poem over days or weeks. but since his retirement it can take him minutes to complete a poem. i'm reminded of what mi hermano john bloomberg-rissman said about poetry after taking up the art again after a several year hiatus. john b-r read a poem in APR & said to himself, is that all there is to poetry? & i think of something the bay area poet/lusophone translater chris daniels said about poetry. it is as natural as breathing. & taking a shit, i would add. what does being a poet mean? how do you know you are a poet? how the fuck should i know. but i think that you are on the path of poetry as a way of life when you are obsessed with poetry. you think about it all the time. everything you find interesting is fit for poetry. non-writing poetry is poetry. when you walk your dog you think of poetry, in poetry. when you do ordinary things, live an ordinary life, & consider how to translate those things into words, is poetry. poetry, to paraphrase the possible apocryphal danish poet, paul la fleur, is finding a new way to live. writing a poem is the sum of your years plus five minutes time.
evidence of changing world
a couple of weekends ago anna asked if i had a couple of dimes she could use as spacers for a home improvement project she was working on. a little lightbulb snapped on above my noggin. yes, yes i do have two dimes, i said. i procured them. they were just the right size for her doing an amazing job. a week later i'm sitting in the backroom, laptop open, writing/reading/watching/listening. here you go, anna said. & returned my two dimes. you could keep them, i responded. & do what with them, anna asked. i don't have a change jar to put them in. i considered that. i very rarely carry &/or use cash too. i don't remember how i acquired those two dimes. here are your dimes, anna continued. i don't want them. this isn't 1998.
i've become a little obsessed with cop/p.i. shows. we seem to be living in a golden age of flawed brilliant malcontents who play by their own rules to get to the truth. i know many poet friends are long deep readers of detective/crime fiction. the tv shows, like the one i'm currently watching, bosch [2014 - ], are very well-written, complexly created fictions of our underworlds. the p.i./detectives in these series are usually brilliant, yet flawed, characters. i do think the attractive portions of these fictive personalities, their dogmatic drive to uncover truths, waylaid by the circumstances of their employers, their societies, their own visionary quests, are similar to poets. perhaps that is their attractiveness to writers, & creatives [doesn't have necessarily need to be only to writers]. the fascinations with crime, the desires & demands of justice too. plus their language, albeit on the visual spectrum, such as lighting, editing, blocking & acting of their scenarios, but by their language too. i recall dashiell hammett's antihero p.i. sam spade who said, in the novel the maltese falcon [1930], 'the gaudier the patter, the cheaper the hood.' & i wonder if crime writers ever modelled their antiheroes after poets. i can think that the visionary intelligence & personality of arthur rimbaud could make for a very interesting p.i./cop. could be too that poets [& other creatives] come to love & admire the p.i.s & cops of crime fiction is that they are, to use a phrase by the late poet richard hugo, the wrong people in the right world. the world is thus & can't ever be otherwise but the need for clarity & visionary justice creates forth obstacles for our antiheroes who sometimes win the battles but not the war.
saturday night's alright for fighting
naw, on 2nd thought, tonight i'll strap on my squirrel thong watch a cop show & thoughtfully pat my ever-expanding 50something buddha belly!
listening to this song is like aimlessly driving around with your friends on a hot summer afternoon