antisocial media
if most of the shit in the world is the fault of social media then WTF are we to do?
antisocial media?
poetry/antipoetry & exploitation movies
if most of the shit in the world is the fault of social media then WTF are we to do?
antisocial media?
oh! what to make of standing in line at the grocery store waiting yr turn watching the guy ahead of you put his items on the counter all booze so as you are sizing him up grey hair bit of a paunch saggy face you think man that is one old dude the clerk asks him his birthdate because of CA law & when he states his date it hits you like an anvil dropped on the head of wile e. coyote that you are one year older than this old dude!
if you could construct an ideal poet, what attribute would you give him or her -- dress included?
(from The Paris Review #154, the poetry issue)
it was a grey sunday where we didn't do nothing. the past week & a half was filled with all sorts of activities. but today was rain, & clouds & very little that required our immediate attention. so anna asked me, when i got up fairly late & hankering for the first cup of coffee, about obscure 1980s movies. she mentioned this one, the second film by jim jarmusch. i told her that when i was a young apprentice poet i watched a shitload of jarmusch movies. but i couldn't recall this particular film. what's it about? nothing. & that is the beauty of this flick. essentially a chamber piece with three young people at its core jarmusch crafted a style of storytelling that does not require traditional narrative techniques. rather, our three goofballs roam thru the american wastes of youthful aimlessness to come to their own separate paradise. this american wasteland includes the eating of TV dinners, watching endless hours of TV, going to the movies, & smoking cigarettes. i can't think of any other work of art that details the essence of late 20th C living. indeed, the most significant part of this movie is when our three goofballs contemplate lake erie in the frozen tundra of cleveland, oh. what happens next is a kind of miracle of narrative structure. suddenly, out of seemingly nowhere, something happens when our trio travels to the sunny, warm, clime of a dead-end motel in nowheresville florida. & when that miracle happens i rooted for our young friends who are out there in these united states of america to help in the creation of this country. in short, jarmusch has made a film of staggering dimensions. what thou lovest well, remains american, said the poet richard hugo echoing ezra pound. hugo might have had this movie in mind when he wrote that line.
fool you into quiet comfort
after the long day, the travails, the hardships, the affections, the affectations, the love, the horror, the silliness, you fire up the laptop, or you open the book, or you turn on the TV, or you scroll thru the choices on a streaming platform, or you stare at the blank page of a new word doc & you realize, in the kitchen, waiting for you, just as blake prophesied, here be
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