waiting no waiting
nick was born on this day 15 years ago. he's 15! yep, i'm letting that sink in. i started blogging when anna was pregnant. i also began my life in poetry in earnest at that time. i mean, i've been writing for a long time before that. i'd publish a few pieces here & there. however, i was alone. i didn't know any other poets. or didn't know any other poets well. it wasn't until i got on the interwebs i started making friends. lifelong friends. brothers & sisters in this art & life. i'll leave my thought there & say i am lucky & grateful for this life in friends, family & poetry.
thank you.
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when anna was pregnant we would do our normal everyday routine things like shop for groceries. we would wonder: what kind of little human being would be in the car seat behind us. it was strange to think that soon we would have a little person to care for & love sharing our lives as we tootled to & fro in the daily struggles of early 21st C life.
we know now & yet the magic of being parents of this special human being has not worn off.
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this morning as i drove nick to school i was thinking aloud about contemporary plastic & performance arts. how much art is not readily or easily accessible to the viewer. one needs an education in the vernacular of the modes of art as well as a knowledge of art history. often a piece can seem random to a viewer without that art vernacular. i do not mean to say that the plastic & performative arts are above & beyond the comprehension of viewers. however, the arts, what are called the high arts, are not so readily accessible as popular music & movies. there are artists that bridge these divides, like warhol, or joseph cornell, but even with pop artists like cornell & warhol as soon as you hang a box of detergent in a museum just the placement in such a space renders the object into abstraction. thus the viewer requires an a priori vernacular to 'get' what the artist might be trying to say.
well, then, nick had a play to attend after school. cultural events like plays, & poetry readings, are a mandatory component of the curriculum. this particular play was worth double the points because it was not only a play but a school production to boot. when i picked him up this evening i asked him what did he see. ah, it was about two dudes doing a lot of talking about waiting.
waiting for godot by samuel beckett, i radiated. i love me some beckett, i said. what did you think of the play, i asked nick. it was odd, he said. alienating, i added? yes, nick answered.
do you think vladimir & estragon are heroes or fools, i asked.
huh?
are they fools for waiting for nothing, or are they heroic in the waiting? could they be both, i continued. beckett survived ww2 & as a child during ww1. the world was ripped into meaningless. the struggles of vladimir & estragon are cyphers for our crises. do you think it matters if godot ever appears? or is the waiting the adventure?
i think nick both got a kick out of my wondering & was non-plussed. for this play perfectly illustrates my thoughts about contemporary art earlier this morning. waiting for godot is 66 years old [really not that old as far as literature is concerned] & very much part of our culture. & yet, the play is odd & affected & alienating to the viewer. one would need to learn the vernacular of 20th C absurdest theater to get it. but i say 'get it' provisionally. because beckett's masterpiece was performed by high school students at a high school. & that art is available to all of us once we allow ourselves the patience for it.
nick is much better educated than i was at his age. i wouldn't read beckett until my early 20s when i was also developing into my own human being. but then again, i was & am an autodidact & late bloomer.
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& that is what amazes me about being a parent. anna & i, as well as every parent on this planet [which is unique & fundamental even if so common a thing], have a front row seat in the growth of another sentient being. it is a fucking miracle of being. for that i am humbled & in love.
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